https://venice.dahvc.org/fall-2020/files/original/November_11_Metropolitan_Museum_of_Art_or_The_Frick_Collection/Mars_and_Venus_United_by_Love/main-image.jpg 8b55e84525f32ce428bb87027a0b3102 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource November 11: Metropolitan Museum of Art or The Frick Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Metropolitan Museum of Art or The Frick Collection, New York, USA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mars and Venus United by Love Description An account of the resource Created by Paolo Veronese c. 1570, Mars and Venus United by Love tells the love story of Mars, the god of war, and Venus, the goddess of love and beauty. The two figures can be seen as being physically united in this painting, as Cupid binds them together with a love knot to symbolize their love and passion for each other – despite Venus being legally married to Hephaestus. Veronese depicts a beautifully detailed mythological scene with ties to religion, that was likely created for Emperor Maximillian II [1]. In his painting, Veronese depicts Mars and Venus in traditional clothing that would fit their roles as warrior and lover, respectively. However, Veronese skillfully shows a tamed depiction of Mars' ferocity through his clothes and mannerisms, as well as a heightened depiction of Venus' passion, conveying to the viewer that their love conquered all hindrances to it. Mars is shown in his battle uniform with full armor but is missing his helmet and sword – at this moment, he is simply Venus' lover, rather than a fighter. Venus is portrayed in pearls with her blonde hair pinned up, as milk flows from her breasts representing the passion and nurture from their love. Venus' nudity was likely very intentional, illustrating her sensual and erotic qualities as the goddess of love – Mars partially covers her, however, holding up cloth in a protective, possessive, and caring manner. Veronese continues to demonstrate how their love overcomes their drastically differing personalities, by depicting Mars' warhorse in the background, appearing docile and calm. Traditionally, the horse represents Mars' anger and violence, but in this scene reflects his true love and care for Venus [2]. The sky is shown to be dark with clouds dispersed throughout, which appears to contrast the happiness of the figures in the foreground, but works in harmony with the scene to highlight Venus and Mars and keep the focus of the painting on their love. Veronese's use of light highlights both figures, but shines especially brightly on Venus, demonstrating her purity, and Mars' armor, demonstrating his ability to protect her. In the background, Veronese paints trees in full bloom, as well as traditional architecture in the sculpture behind the figures, with his name carved into the base, identifying the creation as his own [3]. With his skillful use of lighting, clothing, and expressions to demonstrate the characteristics of each of the figures, Veronese highlights to the viewer a story of true love. [1] "Mars and Venus United by Love," Metropolitan Museum of Art, accessed November 10, 2020, https://www.metmuseum.org/art/collection/search/437891 [2] Frederick Hartt. "Mars and Venus United by Love." The Renaissance in Italy and Spain, 144–45. [3] Daniel Marx. “Mars and Venus United by Love,” accessed November 10, 2020, <a href="https://www.wga.hu/html_m/v/veronese/10/1allego2.html.%C2%A0">https://www.wga.hu/html_m/v/veronese/10/1allego2.html.</a> Creator An entity primarily responsible for making the resource Paolo Veronese Source A related resource from which the described resource is derived “Mars and Venus United by Love.” Metropolitan Museum of Art. Accessed November 5, 2020. https://www.metmuseum.org/art/collection/search/437891. Hartt, Frederick. “Mars and Venus United by Love.” In The Renaissance in Italy and Spain, 144–45. New York: The Metropolitan Museum of Art, 1987. Krén, Emil, and Daniel Marx. “Mars and Venus United by Love,” accessed November 8, 2020, <a href="https://www.wga.hu/html_m/v/veronese/10/1allego2.html.%C2%A0">https://www.wga.hu/html_m/v/veronese/10/1allego2.html. </a> <div></div> “Paolo Veronese,” accessed November 10, 2020, https://www.britannica.com/biography/Paolo-Veronese Publisher An entity responsible for making the resource available Emperor Maximilian II Public Domain. Image Source: Veronese, Paolo. Mars and Venus United by Love. Metropolitan Museum of Art. Accessed November 10, 2020. https://www.metmuseum.org/art/collection/search/437891. Date A point or period of time associated with an event in the lifecycle of the resource c. 1570 Contributor An entity responsible for making contributions to the resource Ithika Senthilnathan Rights Information about rights held in and over the resource Public Domain. Image Source: Veronese, Paolo. Mars and Venus United by Love. Metropolitan Museum of Art. Accessed November 10, 2020. https://www.metmuseum.org/art/collection/search/437891. Format The file format, physical medium, or dimensions of the resource Oil on canvas, 205.7 cm x 161.0 cm Type The nature or genre of the resource Oil on canvas painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Metropolitan Museum of Art, New York City, New York