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      <src>https://venice.dahvc.org/fall-2020/files/original/Dana_s_Collection/Galleon_at_Sea/Galleon-new.png</src>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dana's Collection</text>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>&lt;em&gt;Galleon at Sea&lt;/em&gt;</text>
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        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>A galleon ship in Giovanna Garzoni's calligraphy book</text>
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        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>This calligraphic drawing was created as part of Giovanna Garzoni's "Libro de’ caratteri cancellereschi corsivi," or “Book of Chancery Cursive Letterforms.” Garzoni, an itinerant artist, was born in Ascoli Piceno to a Venetian family and is believed to have moved to Venice during her childhood. While in Venice she received training with the calligraphy instructor Giacomo Rogni. This book may be considered both an exercise book and a portfolio of her skill. &#13;
&#13;
Aoife Cosgrove has shown that the source of this particular image is likely Jan van de Velde the Elder's "A Messieurs de l’Admirauté à Rotterdam," a model published in a writing manual in Rotterdam in 1605. Both the subject and its source reflect Giovanni's global imagination: more than most women of her time, she traveled among international courts in Italy, France, and England where she created representations of circulating objects such as exotic fruits from the Americas and precious Ming vases exported from China.&#13;
&#13;
This exercise also offers insight into the early modern audience of the work. Created in a single, fluid stroke, this calligraphic drawing may have been used as a type of party trick, as proposed by Sheila Barker. At a court gathering, Garzoni may have created the drawing in front of a group of onlookers who followed her swirling lines, guessing at the subject. When her upside-down drawing was complete, Garzoni would have turned the page to reveal her elegant ship. This offered both entertainment to the members of court and proof of Garzoni's artistic skill, possibly attracting future commissions.</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Giovanna Garzoni (Ascoli Piceno 1600 – Rome 1670)</text>
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        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>&lt;ul&gt;
&lt;li&gt;Casale, Gerardo. &lt;em&gt;Giovanna Garzoni: 'Insigne Miniatrice,' 1600-1670&lt;/em&gt;. Milan: 1991 (120)&lt;/li&gt;
&lt;li&gt;Barker, Sheila. "Marvellously Gifted: Giovanna Garzoni's First Visit to the Medici Court." &lt;em&gt;Burlington Magazine&lt;/em&gt; 160 (2018): 654-659. (657)&lt;/li&gt;
&lt;li&gt;Barker, Sheila. "Galleon at Sea" and "A Messieurs de l’Admirauté à Rotterdam." In &lt;em&gt;"The Immensity of the Universe" in the Art of Giovanna Garzoni&lt;/em&gt;, exhibition catalogue edited by Sheila Barker, 120-22. Livorno: Sillabe, 2020.&lt;/li&gt;
&lt;/ul&gt;</text>
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        <element elementId="45">
          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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            <elementText elementTextId="26">
              <text>Rome, Accademia Nazionale di San Luca, ms. 1117</text>
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        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="27">
              <text>circa 1617–1622</text>
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        <element elementId="37">
          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
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            <elementText elementTextId="28">
              <text>Dana Hogan</text>
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        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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            <elementText elementTextId="29">
              <text>Rome, Accademia Nazionale di San Luca</text>
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          <name>Relation</name>
          <description>A related resource</description>
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              <text>Modeled after "A Messieurs de l’Admirauté à Rotterdam" by&#13;
Jan van de Velde the Elder (Antwerp 1568 – Haarlem 1623)&#13;
(engraved by Simon Frisius, also known as Simon Wynhoutsz. de Vries)&#13;
</text>
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          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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            <elementText elementTextId="31">
              <text>in: Giovanna Garzoni, Libro de’ caratteri cancellereschi corsivi, fol. 44r&#13;
black ink on prepared paper, 29.0 x 20.5 cm (closed); 29.0 x 41.5 cm (open)</text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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            <elementText elementTextId="32">
              <text>Calligraphic drawing</text>
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          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>ms. 1117</text>
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          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <elementText elementTextId="34">
              <text>Accademia Nazionale di San Luca, Rome, Italy </text>
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