Browse Items (14 total)

Titian’s Sacred and Profane Love made circa 1515 is an oil painting that was commissioned by Niccolò Aurelio, who was a secretary to the Venetian Council of Trent. It was made to commemorate his marriage with a young widow named Laura Bagarotto…

There have been several different interpretations of who the three female figures in this work are, and what they mean. At one point, it was identified as the Three Graces, but later the main figure was identified as Venus, blindfolding her son Cupid…

Titian painted Sacred and Profane Love in circa 1515. It was commissioned by Niccoló Aurelio in 1514, a superb chancellor in Venice's city government, on behalf of his matrimony to Laura Bagarotto of Padua [1]. In 1613, this composition was described…

This early oil painting by Titian features a pastoral setting with a lake and luscious green rolling hills. To one side we can see a church with a grand steeple while the other side is flanked by a castle-like fortification overlooking a village. In…

Sacred and Profane Love is a piece done by Titian circa 1515 for Niccolò Aurelio [1]. Niccolò Aurelio, secretary of the Venice Council of Ten, commissioned this painting for his marriage to Laura Bagarotto [2]. The painting itself depicts two ladies,…

Sacred and Profane Love was painted by Titian for the occasion of the marriage of Laura Bagarotto and the Secretary of Venice’s Council of Ten, Niccolò Aurelio, both of whom have their family’s coat of arms included in this piece. [1] This piece uses…

Created by Michelangelo Caravaggio c. 1606-1610, David with the Head of Goliath was created as a gift for the papal court of Rome, specifically for Scipione Borgehese. Caravaggio was accused of murdering Tomassoni in May 1606, and fled from Rome, but…

Michelangelo Caravaggio, born in Milan, mastered painting biblical stories in a dark and violent light [1]. Caravaggio created David with the Head of Goliath for Scipione Borghese, an Italian cardinal, as a way of asking for forgiveness for murdering…

The first thing that viewer's eyes are drawn to is the larger than life man on the left hand side of the painting.  He is clothed in blue and light red cloth, with one arm on his hip and one outstretched towards the center of the painting.  The cloth…

In this painting, we see Saint Mark preaching in Alexandria. Giovanni and Gentile Bellini pull the focus onto the details of the landscape in multiple ways. First, with regards to the composition of the image, Bellini scattered objects of Venetian…