Browse Items (15 total)

The Danaë with Cupid by Titian is the earliest version of this painting, and it was created in 1545-46. The Danaë with Cupid was a commission for Cardinal Farnese, and he did not seem too worried about the ecclesiastical office interfering with his…

This painting, Danaë, was done by Titian in 1544 for the Cardinal Alessandro Farnese. Many more versions of this subject by Titian exist, however this was Titian’s first rendition of Danaë and it now resides in the Museo di Capodimonte [1]. It was…

Titian's portrait of the Pope and his grandsons is filled with rich tones of red and maroon along with dark brown, black and skin toned tan accented with white and silver.  Seated in the focal point of the painting is Pope Paul III dressed in a white…

The Baptism of Christ, originally made for the Oratory of the Fiorentini Confraternity, was created by Veronese, a Venetian painter during the 16th century [1]. Paolo Veronese was born in Verona then moved to Venice to pursue his career, influenced…

Titian, known as the greatest Italian Renaissance painter of the Venetian school, was known for penetrating human character in his canvases. In many of his paintings, he carefully represented physical beauty and a level of eroticism that has not been…

Painted by Titian c. 1544, this version of Danaë was his first of many renditions of this scene, and is widely regarded as one of the most sensual paintings of the Italian Renaissance. Titian depicts the princess Danaë being impregnated by the Greek…

The painting Danaë, by Titian, was made in 1544 and is located in the Capodimonte Museum in Naples, Italy. The painting was made for Cardinal Alessandro Farnese’s bedroom and is representative of his own mistress. The painting was made for the…

In this painting Titian exhibits his use of colorito, which is when color is used in a dominating manner in the work. The color helps depict the story of the painting, which involves Jupiter seducing Danaë. The story explains how Danaë was locked in…

     Depicted here we see Flora, the Greek goddess of Spring and the bride of Zephyr, emerging from a dark background and identified through the various flowers in her hand. While her surroundings remain dark, her figure emanates from the darkness,…

This unfinished work by Titian––Pope Paul III with his Grandsons––is a testament to the legacy of the commissioning Farnese family of Italy [1]. In this work, a frail and decrepit old man sits on a chair flanked by two younger members of his family.…