Browse Items (177 total)

When the audience first looks at Bellini's work their eyes are drawn towards the group of mythological figures in the center of the painting.  On the right hand side, we are first greeted by a nymph clothed in glistening white clothes that flows with…

Vittore Carpaccio (c. 1465 – c. 1520) painted The Lion of St. Mark in 1516 on commission for the Palazzo dei Camerlenghi near the Rialto district [1]. It features a large lion in its center––which represents the Republic’s patron saint St. Mark and…

Jacopo Tintoretto was commissioned by the Scuola Grande di San Marco in 1547 to create a painting for the Sala Capitolare [1]. The artist came from a family of cloth dyers in Venice. He practiced drawing and painting from a young age, landing a spot…

In this painting, we see a penitent Mary Magdalene worshipping the heavens. Titian portrays Mary Magdalene realistically in multiple ways. First, with regards to the composition of the image, Titian places an ointment jar right next to her, providing…

The Tempest was one of the first landscape dominant works of the Venetian Renaissance. The work was commissioned by Gabriele Vendramin, and was completed only a few short years before Giorgione’s early death from the plague [1]. Due to the timing, it…

The Tempest, painted by Giorgione c. 1505, is considered a groundbreaking piece of artwork for the time it was created in. Breaking traditional Venetian style, Giorgione painted a piece highly focused on the landscape, with a variety of hidden…

The Tempest was an important work in Renaissance landscape painting, and one of the 5 surviving works by Giorgione. The painting depicts a storm moving towards two main figures, with a child in the arms of the woman. The male figure looks at the…

The Tempest was an important work in Renaissance landscape painting, and one of the 5 surviving works by Giorgione. The painting depicts a storm moving towards two main figures, with a child in the arms of the woman. The male figure looks at the…

The Tempest is one of Giorgione’s few paintings and most enigmatic as there are over thirty identified interpretations ranging from biblical to Venetian [1]. Giorgione was commissioned circa 1510 to make this painting for the wealthy Venetian,…

For a period the work was attributed to Giorgone, but in 1904 it was then changed and attributed to Titian by scholar Wilhelm Schmidt [1]. While some scholars still disagree, most conclude Titian was the original author but took inspiration from…