https://venice.dahvc.org/fall-2020/files/original/November_11_Metropolitan_Museum_of_Art_or_The_Frick_Collection/Mars_and_Venus_United_by_Love/SS7731421_7731421_11764786.jpg 3dd0f01935b79dbba3ccc7b7597b2502 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource November 11: Metropolitan Museum of Art or The Frick Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Metropolitan Museum of Art or The Frick Collection, New York, USA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <a href="https://library.artstor.org/#/asset/SS7731421_7731421_11764786">Mars and Venus United by Love</a> Creator An entity primarily responsible for making the resource Paolo Veronese (1528 - 1588) Source A related resource from which the described resource is derived Veronese, Paolo. "Mars and Venus United by Love."Metropolitan Museum of Art. Accessed November 8, 2020. <a href="https://www.metmuseum.org/art/collection/search/437891.">https://www.metmuseum.org/art/collection/search/437891.</a> Bayer, Andrea. "North of the Apennines: Sixteenth-Century Italian Painting in Venice and the Veneto." The Metropolitan Museum of Art Bulletin 63, no. 1 (2005): 20. Krén, Emil, and Daniel Marx. “Mars and Venus United by Love,” accessed November 8, 2020, <a href="https://www.wga.hu/html_m/v/veronese/10/1allego2.html.%C2%A0">https://www.wga.hu/html_m/v/veronese/10/1allego2.html. </a> Salmon, Xavier F. "Veronese's Skies in S. Sebastiano." The Burlington Magazine 154, no. 1315 (2012): 712. Image Source: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). 1570s. "Mars and Venus United by Love." Painting, Paintings. Place: <a href="https://www.metmuseum.org"> The Metropolitan Museum of Art</a>. <a href="https://library.artstor.org/asset/SS7731421_7731421_11764786.">https://library.artstor.org/asset/SS7731421_7731421_11764786.</a> Date A point or period of time associated with an event in the lifecycle of the resource 1570s Contributor An entity responsible for making contributions to the resource Seamus Harding Rights Information about rights held in and over the resource This image was provided by The Metropolitan Museum of Art. Contact information: The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028, <a href="http://www.metmuseum.org/">http://www.metmuseum.org/</a> Image Source: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). 1570s. "Mars and Venus United by Love." Painting, Paintings. Place: <a href="https://www.metmuseum.org/">The Metropolitan Museum of Art</a> <a href="https://library.artstor.org/asset/SS7731421_7731421_11764786.">https://library.artstor.org/asset/SS7731421_7731421_11764786.</a> The person who associated a work with this deed has dedicated the work to the public domain by waiving all of his or her rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. Format The file format, physical medium, or dimensions of the resource Oil on canvas; 205.7 x 161 cm Type The nature or genre of the resource Painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Metropolitan Museum of Art, New York City, New York, USA Description An account of the resource Mars and Venus United by Love was painted by Paolo Veronese (Paolo Caliari) in the 1570s. Veronese was most likely commissioned by Emperor Maximilian II to create this mythological masterpiece. Before the Metropolitan Museum of Art received this painting in 1909-1910, several European royalties owned this painting, starting with Emperor Rudolf II in Prague by 1621. [1] This painting has been in several different exhibits over the last hundred years in the Metropolitan Museum of Art. Veronese displays the Roman gods’ Mars and Venus in a beautiful landscape with their son, Cupid, placed in the lower-left corner. Cupid is tying a love knot around his parents, symbolizing a happy marriage. Both parents are looking at their son; Venus is smiling, and Mars has a straight face. Mars is wearing his war uniform, referring to his status as the god of war in ancient mythology. He is not wearing a helmet, but his armor is decorated in gold with lion faces in the design. He also has a lavender cape that he is holding with his left hand. He is shown with brown curly hair and a full beard, comforting his wife. Venus, the goddess of love, is painted with her blonde hair pinned up, pearls around her neck, and one bracelet on either wrist. She has a blue and gold strap wrapped around her upper right side of her body. It has the same gold lions as Mars’s armor. Venus is nude with the right breast covered by her right hand, her left breast covered by Mars’s head, and her lower body is covered by the other side of Mars’s cape, which is a deep blue color. There appears to be a drop of milk coming from Venus’s breast, which may be an allusion to chastity transformed by love into charity. [2] They appear to be up against the side of a piece of architecture. There is a beautiful landscape with trees and leaves of various colors. You see leaves with green, yellow and brown. The brightness of this painting is very bright, and there is not much shade. Behind the happy family appears another Cupid guarding Mars’s horse with his sword, symbolizing restrained passion [3]. The peaceful horse is portraying the opposite of Mars because Mars is considered an angry god. In the painting, it appears that Mars can be intimate and loving towards his wife. The sky is ombré colored with blue hues of azurite and smalt with various clouds throughout the painted sky [4]. [1] Mars and Venus United by Love,” Metropolitan Museum of Art, accessed November 8, 2020, <a href="https://www.metmuseum.org/art/collection/search/437891.">https://www.metmuseum.org/art/collection/search/437891.</a> [2] Bayer, Andrea. "North of the Apennines: Sixteenth-Century Italian Painting in Venice and the Veneto." The Metropolitan Museum of Art Bulletin 63, no. 1 (2005): 20. [3] Krén, Emil, and Daniel Marx. “Mars and Venus United by Love,” accessed November 8, 2020, <a href="https://www.wga.hu/html_m/v/veronese/10/1allego2.html.%C2%A0">https://www.wga.hu/html_m/v/veronese/10/1allego2.html. </a> [4] Salmon, Xavier F. "Veronese's Skies in S. Sebastiano." The Burlington Magazine 154, no. 1315 (2012): 712. Publisher An entity responsible for making the resource available Emperor Maximilian II Image Source: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). 1570s. "Mars and Venus United by Love." Painting, Paintings. Place: <a href="https://www.metmuseum.org/">The Metropolitan Museum of Art</a>. <a href="https://library.artstor.org/asset/SS7731421_7731421_11764786.">https://library.artstor.org/asset/SS7731421_7731421_11764786.</a>