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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>September 9: Scuole Painting Cycles</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Painted in 1495, Vittore Carpaccio's "Dream of Saint Ursula" is a part of his series depicting the tale of Saint Ursula, titled "Stories from the Life of Saint Ursula". "Dream of Saint Ursula" was Carpaccio's fifth painting out of a total of eight in the series, and continued his tendency to paint religious scenery. &#13;
&#13;
The legend of Saint Ursula from the north was very popular throughout the Middle Ages, and Carpaccio was commissioned by the Confraternity of Saint Ursula in Venice to tell her story. The legend describes Saint Ursula, a martyr who led 11,000 virgin maidens through travel, all of whom were brutally massacred by the Huns in Cologne. &#13;
&#13;
"The Dream of Saint Ursula" in particular depicts Saint Ursula in her bed, and is meant to show her dreaming of the angel who informs Saint Ursula of her impending death and martyrship. Carpaccio is widely praised for his close attention to detail, which he demonstrates magnificently in this painting, showing the room with beautiful ceilings, plants on the windows, a dog laying next to the bed, and the shadowy  figures around the room that cast a mysterious and dreamy vibe throughout the painting. </text>
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                <text>Carpaccio,  Vittore</text>
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                <text>Carpaccio, Vittore, 1455?-1525?. c.1495. Legend of St. Ursula: Dream of St. Ursula: det.: windows. https://library-artstor org.proxy.lib.duke.edu/asset/ARTSTOR_103_41822001712643&#13;
&#13;
Wood, Allyn. "The Departure of Saint Ursula (As Painted by Carpaccio) [Poem]." College Art Journal 18, no. 3 (1959): 240. Accessed September 8, 2020. doi:10.2307/773926.&#13;
&#13;
Ruskin, John. Saint Ursula: I. The Story of St. Ursula. II. The Dream of St. Ursula. Duke Libraries . New York: The Devin-Adair Company, 1912. Det:https://find.library.duke.edu/catalog/DUKE008071078?utm_campaign=bento&amp;utm_content=bento_result_link&amp;utm_source=library.duke.edu&amp;utm_medium=referral&#13;
&#13;
Wood, Allyn. "The Departure of Saint Ursula (As Painted by Carpaccio) [Poem]." College Art Journal 18, no. 3 (1959): 240. Accessed September 8, 2020. doi:10.2307/773926&#13;
&#13;
Gronau, Georg. "An Unknown Work by Vittore Carpaccio." The Burlington Magazine for Connoisseurs 44, no. 251 (1924): 59-65. Accessed September 8, 2020. http://www.jstor.org/stable/862109.&#13;
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            <name>Publisher</name>
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                <text>The University of California, San Diego</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1495</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Ithika Senthilnathan</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="196">
                <text>Oil on Canvas – 273cm x 267cm</text>
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            <description>The nature or genre of the resource</description>
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                <text>Painting</text>
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                <text>Gallerie dell'Accademia di Venezia, Venice, Italy</text>
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    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>St. George and the Dragon</text>
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              <text>The painting shows the first of the three episodes dedicated to St. George's life: the other two are the Triumph of St. George and the Baptism of the Selenites. The works date to Carpaccio's mature period when he was commissioned by the "Scuola" (guild or corporation) of the Schiavoni (Dalmatians) to execute a cycle of nine paintings narrating the stories of their patron saints (George, Jerome, Augustine, and Tryphon). &#13;
&#13;
Vittore Carpaccio was one of Venice's leading narrative painters of the late 15th and early 16th centuries, whose richly detailed canvases relating the lives of saints once adorned the city's "scuole," or lay confraternities' meeting places.&#13;
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The story of George is directly inspired by the medieval hagiographical texts of the martyrs, especially by the Passions. The epic of the Holy Martyr on horseback in the act of defeating the dragon and saving the maiden, with the fortified town standing in the background, has been a recurring iconographic theme since ancient times. St. George is portrayed while riding a horse above a wide background, his lance piercing the dragon's head. On the right is a praying princess. A diagonal line connects the princess head, passing through the lance, to the twisted tail of the dragon. The canvases of St. George and St. Tryphon are elongated as if to emphasize the character of the epic story.&#13;
&#13;
St. George and the Dragon comes from the island of San Giorgio Maggiore while providing a vigorous image of the knight killing the monster, is also dense with references specific to the Benedictine monastery for which it was made. &#13;
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              <text>Vittore Carpaccio</text>
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              <text>Morabito, Pasquale Maria. "Saint George and the Dragon: Cult, Culture, and Foundation of the City." Contagion: Journal of Violence, Mimesis, and Culture 18 (2011): 135-153. doi:10.1353/ctn.2011.0007.&#13;
St George and Dragon by Vittore Carpaccio (1465-1525, or ca 1526), tempera on wood, 141x360 cm,San Giorgio degli Schiavoni School, Venice, 1502." In Bridgeman Images: DeAgostini Library, edited by Bridgeman Images. Bridgeman, 2014. http://proxy.lib.duke.edu/login?url=https://search.credoreference.com/content/entry/bridgemandeag/st_george_and_dragon_by_vittore_carpaccio_1465_1525_or_ca_1526_tempera_on_wood_141x360_cm_san_giorgio_degli_schiavoni_school_venice_1502/0?institutionId=2558&#13;
Valcanover, Francesco (2007). "Vittore Carpaccio". Pittori del Rinascimento. Florence: Scala. ISBN 88-8117-099-X.&#13;
Warnke, Martin. ‘Carpaccio, Vittore’. In Religion Past and Present. Accessed September 9, 2020. doi:http://dx.doi.org/10.1163/1877-5888_rpp_SIM_02768.</text>
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              <text>Sts. George, Jerome, and Tryphon, joined by St. Matthew</text>
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          <name>Date</name>
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              <text>1502</text>
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              <text>Liuren Yin</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>Use of this image is in accordance with the Artstor Terms &amp; Conditions&#13;
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              <text>Oil on canvas, 141 x 360 cm</text>
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              <text>English</text>
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              <text>Venice, Scuola Grande Di San Rocco, Italy</text>
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