https://venice.dahvc.org/fall-2020/files/original/September_30_Gallerie_dell_Accademia_[Visual_Analysis]/Feast_in_the_House_of_Levi/Feast_in_the_House_of_Levi_image.jpg b1630324eaef6391f8b91ef39a3e7162 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource September 30: Gallerie dell'Accademia (Visual Analysis) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Gallerie dell'Accademia, Venice, Italy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Feast in the House of Levi Description An account of the resource Feast in the House of Levi was a replacement for the painting of an earlier work by Titian destroyed by the fire in 1571. [1] Originally Caliari had this painting name Lord's Last Supper and intended to be a monumental artwork for a religious commitment. However, he was forced to rename this painting to Feast in the House of Levi due to the investigation from Roman Catholic Inquisitions that they feel it is not appropriate to include dwarfs, drunken Germans, and such aristocratic cloth in a holy painting. [2] He was originally ordered to change the painting's details, but he changes the name instead. This painting was one of the most controversial Paolo Caliari's painting. When the viewer first looks at this artwork, the massive three arches draw most of the attention. Those arches give us a scope of the magnificent buildings of Venice cityscape. Those arches were probably inspired by the Italian buildings of that time. [3] The details he emphasizes above the arches are incredible. The sunlight bounces off the golden engravings gives a vivid texture feel. When viewer shifts their attention to the center of the painting, they will see Jesus in the middle of the table with subtle light coming from his shimmering Biblical robe that contrasts with the background as a way to present his holy figure. The painter was trying to convey a sense of the dynamic in this painter through each character's animation. Every living creature in this art is in the middle of some actions, from talking to eating to walking around, allowing the viewer to feel the liveliness in this painting. [1] Krén, Emil, and Daniel Marx. “Feast in the House of Levi” n.d. Accessed September 30, 2020.https://www.wga.hu/html_m/v/veronese/06/8levi.html [2] Gisolfi, Diana. "Veronese [Caliari], Paolo." Grove Art Online. 2003; Accessed 30 Sep. 2020. https://www-oxfordartonline-com.proxy.lib.duke.edu/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000089003. [3] Ginnybergs. “What’s in a Painting? Taking a Closer Look at Paolo Veronese’s Masterpiece: Feast in the House of Levi (c. 1573),” 2017. May 22. Accessed September 30, 2020. https://rhapsodyinwords.com/2017/05/22/whats-in-a-painting-taking-a-closer-look-at-paolo-veroneses-masterpiece-feast-in-the-house-of-levi-c-1573/. Creator An entity primarily responsible for making the resource Paolo Caliari Source A related resource from which the described resource is derived Krén, Emil , and Daniel Marx. “Feast in the House of Levi” n.d. Accessed September 30, 2020. https://www.wga.hu/html_m/v/veronese/06/8levi.html. Gisolfi, Diana. "Veronese [Caliari], Paolo." Grove Art Online. 2003; https://www-oxfordartonline-com.proxy.lib.duke.edu/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000089003. MacFall, Haldane. Feast in the House of Levi, 1911. http://www.law.harvard.edu/faculty/martin/art_law/feast_in_the_house_of_levi.htm. Paolo Veronese. 1571-73. GINNYBURGES. “What’s in a Painting? Taking a Closer Look at Paolo Veronese’s Masterpiece: Feast in the House of Levi (c. 1573),” 2017. May 22. Accessed September 30, 2020. https://rhapsodyinwords.com/2017/05/22/whats-in-a-painting-taking-a-closer-look-at-paolo-veroneses-masterpiece-feast-in-the-house-of-levi-c-1573/. EN. of Art Education “The Feast in the House of Levi (1573).” Feast in the House of Levi, Paolo Veronese: Analysis. Accessed September 30, 2020. http://www.visual-arts-cork.com/famous-paintings/feast-in-the-house-of-levi.htm. Publisher An entity responsible for making the resource available © Web Gallery of Art Krén, Emil , and Daniel Marx. “Feast in the House of Levi”n.d. Accessed September 30, 2020. https://www.wga.hu/html_m/v/veronese/06/8levi.html. Date A point or period of time associated with an event in the lifecycle of the resource 1528-1588 Contributor An entity responsible for making contributions to the resource Emily Song Format The file format, physical medium, or dimensions of the resource Oil on canvas, 555 x 1280 cm Type The nature or genre of the resource Painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Gallerie dell'Accademia, Venice