Browse Items (177 total)

This work was done by Titian, quite early in his career. This painting is often seen as one of the most enigmatic of Italian High Renaissance works. It is assumed by many scholars that the painting was commissioned by Niccolò Aurelio, secretary of…

Titian’s Sacred and Profane Love made circa 1515 is an oil painting that was commissioned by Niccolò Aurelio, who was a secretary to the Venetian Council of Trent. It was made to commemorate his marriage with a young widow named Laura Bagarotto…

In this painting, the three main figures are the Three Graces. Some identify them as Venus and the two nymphs. There are baby cupids around them too. This work of art depicts Venus blindfolding one of the baby cupids. One of the nymphs is holding a…

The oil on canvas painting was commissioned for Guidobaldo II, who was designated one year later as the duke of Urbino [1]. Contrary to the description provided by the title, the primary subject matter of the image is a representation of an Italian…

Cameria, the daughter of Suleiman the Magnificent, faces the viewer in a three-quarter pose, her expression still and confident as she makes direct eye-contact. Her left hand rests lightly on the wheel of Saint Catherine of Alexandria, a choice that…

Titian was commissioned by the Court of Ferrara to create the Bacchus and Ariadne for placement in the Alabaster Room in the ducal palace [1]. This collection was one of the most important and highly valued at the time, since it featured works from…

Titian’s Christ Carrying the Cross was not a one off subject matter or commission. Several decades prior Titian had created a version of Christ Carrying the Cross depicting Christ tied at the neck by the rope of an executioner [1]. This work was…

For a period the work was attributed to Giorgone, but in 1904 it was then changed and attributed to Titian by scholar Wilhelm Schmidt [1]. While some scholars still disagree, most conclude Titian was the original author but took inspiration from…

Standing tall and regal in a three-quarter pose, Caterina gazes sideways at the viewer with composure, her lips pursed and hands clasped together in front of her. Her lavishly-robed figure fills the frame, positioned against a sober black background…

The scene depicted in Titian’s Pietà shows a dead Jesus Christ in the arms of his mother the Virgin Mary. St. Jerome clutches his arm while a startled Mary Magdalene rushes either towards or away from the corpse in horror. Behind the scene is a…